Samavesa

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About
Research
Education & Change
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Home
About
Research
Education & Change

PUBLICATIONS

Academic

Academic

Academic

Farquhar, M. (2021). Structural Violence in the Queer Community: A Comparative Analysis of International Human Rights Protections for LGBTIQ+ People. Inquiries Journal, 13(12).

Maisey, N., Farquhar, M., & Curo, K. (2021). Cultivating Human Connection in the Everyday: A Practical Model for Solidarity. In B. Offord, C. Fleay, L. Hartley, Y Gelaw Woldeyes, & D. Chan (Eds.), Activating Cultural an Social Change: The Pedagogies of Human Rights, (pp. 167-182). Routledge.

Farquhar, M., & Dau, D. (2020). Real, Visible, Here: Bisexual+ Visibility in Western Australia. Critical Social Policy, 40 (2), 258-278.

Chan, D., Farquhar, M., Garbutt, R., Kerr, T., Offord, B., Shiosaki, E., Woldeyes, Y. (2018). A case for reimagining Australia: Dialogic registers of the Other, truth-telling and a will to justice. Coolabah, 24&25 (2018), 199-212

Other

Academic

Academic

Opinion: WA trans law reform welcome but there’s a long way to go, The West Australian, 2024 (with Nat Latter & Thomas Drake-Brockman)

WA Labor all talk, little action on protecting LGBTIQA+ people, The West Australian, 2024

There is still plenty more to do before we reach LGBTIQA+ equality, The West Australian, 2022

Bi+ visibility in Western Australia: Forming community, Archer Magazine, 2020

We're all equal before the law, Human Rights x Human Responsibilities, 2020

Promotion & Protection of the Human Rights of Bisexual Persons, ILGA Bisexual Secretariat, 2018

How 'hi-visibility' increased 'bi-visibility' in Western Australia, Gay Star News, 2018

Hi Visibility, Bi Visibility: This week is all about the B in LGBTI+, OUTinPerth, 2017

Tackling biphobia: why bisexual visibility matters, Gay Star News, 2017 (republished in Queer Av)

Policing visibility: Binaries, bisexuality and intra-LGBT exclusivity, Archer Magazine, 2016 (republished in Daily Life, Sydney Morning Herald, Out in Perth)

I acknowledge the Whadjuk people of the Noongar nation as the traditional custodians of the lands on which most of my work occurs, and recognise their continuing connection to land, water, and culture. I pay my deepest respects to their elders past and present.

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